Deutsch Thomas Rainergeb's Contributor Biographical Innsbruck and Freiburg am Breisgau, 1973, Studium der Kunstgeschichte, Alten Geschichte and Geschichte, Promotion 2008. From 1998 to 2001, I was a student at the Bibliothèque Nationale de France in Paris. Since 2002, I've worked as a cultural publicist and curator in Munchen, most recently as a scholarly employee of the Bayerische Schlosserverwaltung. Teaching positions at the University of Innsbruck and the Kufstein Fachhochschule.

Publications about spattische and mediterranean art, the social history of mediterranean artists, the preservation of pagan and Christian art, and the cultural transfer between Asia and Europe. Currently working on a media history of the codexformigen book. Thomas Rainer, an English contributor, was born in 1973 and studied Art History, Ancient History, and History at the Universities of Innsbruck and Freiburg im Breisgau. He received his doctorate in 2008 from the University of Innsbruck. Read More chevron_right

Deutsch Thomas Rainergeb's Contributor Biographical Innsbruck and Freiburg am Breisgau, 1973, Studium der Kunstgeschichte, Alten Geschichte and Geschichte, Promotion 2008. From 1998 to 2001, I was a student at the Bibliothèque Nationale de France in Paris. Since 2002, I've worked as a cultural publicist and curator in Munchen, most recently as a scholarly employee of the Bayerische Schlosserverwaltung. Teaching positions at the University of Innsbruck and the Kufstein Fachhochschule.

Publications about spattische and mediterranean art, the social history of mediterranean artists, the preservation of pagan and Christian art, and the cultural transfer between Asia and Europe. Currently working on a media history of the codexformigen book. Thomas Rainer, an English contributor, was born in 1973 and studied Art History, Ancient History, and History at the Universities of Innsbruck and Freiburg im Breisgau. He received his doctorate in 2008 from the University of Innsbruck. Studying at the Bibliotheque Nationale de France in Paris from 1998 to 2001.

He has been a critic and curator in Munich since 2002, most recently with the Bavarian Administration of State-owned Palaces, Gardens, and Lakes. At the University of Innsbruck and the University of Applied Sciences in Kufstein, I gave lectures and seminars. Publications on late antique and medieval art, the medieval artist, Jewish and Christian art, and Asian-European cultural and creative contacts. He is currently working on a book about the codex's media history.

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