No Idols: The Missing Theology of Art
ISBN: 090995299X
EAN13: 9780909952990
Language: English
Publication Date: March 12, 2017
Pages: 200
Dimensions: 0.59" H x 7.40" L x 4.88" W
Weight: 0.53 lbs.
Format: Paperback

No Idols: The Missing Theology of Art

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Book Overview
The first in the new Power Polemics series, Thomas Crow's No Idols: The Missing Theology of Art turns away from contemporary cultural theories to face a pervading blindspot in today's art-historical inquiry: religion. Crow pursues a perhaps unpopular notion of Christianity's continued presence in modern abstract art and in the process makes a case for art's own terrain of theology: one that eschews idolatry by means of abstraction. Tracking the original anti-idolatry controversy of the Jansenists, anchored in a humble still life by Chardin, No Idols sets the scene for the development of an art of reflection rather than representation, and divinity without doctrine. Crow's reinstatement of the metaphysical is made through the work of New Zealand artist Colin McCahon and American artists Mark Rothko, Robert Smithson, James Turrell, and Sister Mary Corita Kent. While a tightly selected group of artists, in their collective statute the author explores the proposal that spiritual art, as opposed to a simulacrum of one, is conceivable for our own time.